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نام تاپيک: Short summary of great novels

  1. #41
    حـــــرفـه ای Asalbanoo's Avatar
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    پيش فرض Madam bovary

    Madame Bovary opens during Charles Bovary’s childhood. An outcast in his new school, Charles does not fit in, and he suffers ridicule. As he grows older, we learn that he is fairly dull and lacks talent in his chosen profession, medicine. Charles becomes a poor doctor who does not earn much respect from his peers. His mother remains very influential in his life decisions; she pushes him into medicine and persuades him to marry a widow. The widow dies soon after the wedding, leaving Charles much less money than he expected.
    Soon after his first wife’s death, Charles falls in love with Emma, the daughter of one of his patients. After much time, Charles finally asks her father for Emma’s hand in marriage. An elaborate ceremony takes place. After marrying, Charles and Emma move to Tostes, where Charles sets up his meager practice. Unfortunately, Emma soon finds herself disillusioned with her country life, having aspirations of greater romance and luxury. After Emma and Charles attend a ball thrown by a wealthy nobleman, she becomes obsessed with the idea of living a more elaborate and sophisticated existence. Eventually her obsession takes over, sending her into a depressive state. During this period of illness, Emma becomes pregnant and Charles decides to move to a new area with the hope of improving Emma’s health and realizing a positive future for his family.
    Charles establishes his new practice in Yonville. Homais, the town pharmacist, considers himself an expert on all subjects and greatly enjoys pontificating to excess. Emma and Charles also meet Leon, a law clerk bored with rural life. Emma finds many similarities between herself and Leon, foreshadowing their eventual affair. In Yonville Emma gives birth to a daughter, Berthe. She is disappointed not to have borne a son, and her sadness persists. During this time romantic feelings develop between Emma and Leon, but as soon as Emma becomes aware of his feelings, she develops a powerful sense of guilt. To counteract this overwhelming emotion, she devotes herself to acting as an excellent mother and wife. Observing Emma’s efforts, Leon believes his love will forever be unrequited, so he leaves for Paris to study law. Upon his departure, Emma again falls into a state of severe depression.
    Soon after Leon moves away, Emma and Charles attend an agricultural fair where Rodolphe, a wealthy neighbor, declares his love to Emma with the goal of simply seducing her. The two begin a passionate affair, and Emma is often careless with her behavior. However, Charles does not suspect anything, believing his wife loves him dearly, while truly she is disgusted by his lack of success and class. In an attempt to boost his professional reputation, Charles and Homais attempt an experimental surgery to treat the club-footed man Hippolyte. Emma encourages this project, believing it will lead to Charles’s fame and therefore a more luxurious and extravagant life. But the treatment is disastrous and, sadly, another doctor must be brought in to amputate the leg. Wallowing in Charles’s constant failures and mediocrity, Emma renews her passion for Rodolphe, even borrowing money to buy him extravagant gifts. Eventually, Emma suggests that she and Rodolphe begin a new life together, but Rodolphe only has only viewed Emma as a conquest and entertainment. Therefore, in a letter delivered on the scheduled day of their rendezvous, he refuses to elope and ends the relationship. Heartbroken after believing Rodolphe truly loved her, Emma falls into a terrible illness, barely escaping death.
    In attempting to heal Emma’s mysterious illness and pay off her debts, Charles falls into financial trouble. Despite the expense, he takes Emma to an opera in Rouen, a nearby city, believing the trip will enliven her spirits. While in Rouen, Emma and Charles happen to run into Leon. The old romantic feelings between Emma and Leon are quickly rekindled and emboldened in the aftermath of her experience with Rodolphe, so Emma soon begins an affair with Leon. Under the guise of taking piano lessons, Emma repeatedly travels to Rouen to meet Leon. Meanwhile, she falls deeply indebted to the moneylender Lheureux and grows careless in her adulterous behavior to the point where she is almost discovered many times.
    Soon Emma grows bored with Leon because he is afraid to take risks to show his love for her. Emma grows increasingly demanding; meanwhile, her debts mount. Lheureux soon orders seizure of Emma’s property, and terrified that Charles will discover her secrets, Emma grows frantic. She appeals to anyone she can think of for loans, including Leon, the town’s businessmen, and even Rodolphe. Upon her offer of prostitution, Rodolphe refuses to help her and Emma grows truly mortified. Aware of the impending revelations of dishonest behavior, Emma sees no option but to remove herself from the world. She commits suicide by eating arsenic, dying an agonizing and painful death.
    At first, Charles idealizes the memory of his wife. But he eventually discovers her letters and keepsakes from Rodolphe and Leon, and finally he confronts the truth of her infidelity. Having grown into an antisocial hermit, Charles dies alone in his garden of an apparent heart attack. Berthe, now an orphan, is sent to work in a cotton mill.

  2. #42
    حـــــرفـه ای Asalbanoo's Avatar
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    پيش فرض The Canterbury tale

    The Canterbury Tales begins with the introduction of each of the pilgrims making their journey to Canterbury to the shrine of Thomas a Becket. These pilgrims include a Knight, his son the Squire, the Knight's Yeoman, a Prioress, a Second Nun, a Monk, a Friar, a Merchant, a Clerk, a Man of Law, a Franklin, a Weaver, a Dyer, a Carpenter, a Tapestry-Maker, a Haberdasher, a Cook, a Shipman, a Physician, a Parson, a Miller, a Manciple, a Reeve, a Summoner, a Pardoner, the Wife of Bath, and Chaucer himself. These travelers, who stop at the Tabard Inn, decide to tell stories to pass their time on the way to Canterbury. The Host of the Tabard Inn sets the rules for the tales. Each of the pilgrims will tell two stories on the way to Canterbury, and two stories on the return trip. The Host will decide the best of the tales. They decide to draw lots to see who will tell the first tale, and the Knight receives the honor.
    The Knight's Tale is a tale about two knights, Arcite and Palamon, who are captured in battle and imprisoned in Athens under the order of King Theseus. While imprisoned in a tower, both see Emelye, the sister of Queen Hippolyta, and fall instantly in love with her. Both knights eventually leave prison separately: a friend of Arcite begs Theseus to release him, while Palamon later escapes. Arcite returns to the Athenian court disguised as a servant, and when Palamon escapes he suddenly finds Arcite. They fight over Emelye, but their fight is stopped when Theseus finds them. Theseus sets the rules for a duel between the two knights for Emelye's affection, and each raise an army for a battle a year from that date. Before the battle, Arcite prays to Mars for victory in battle, Emelye prays to Diana that she may marry happily, and Palamon prays to Venus to have Emelye as his wife. All three gods hear their prayers and argue over whose should get precedence, but Saturn decides to mediate. During their battle, Arcite indeed is victorious, but as soon as he is crowned victor, an earthquake occurs that kills him. Before he dies, he reconciles with Palamon and tells him that he deserves to marry Emelye. Palamon and Emelye marry.
    When the Knight finishes his tale, everybody is pleased with its honorable qualities, but the drunken Miller insists that he shall tell the next tale. The Miller's Tale is a comic table in which Nicholas, a student who lives with John the carpenter and his much younger wife, Alison, begins an affair with Alison. Another man, the courtly romantic Absolon, also falls in love with Alison. Nicholas contrives to spend a day with Alison by telling John that a flood equal to Noah's flood will come soon, and the only way that he, Nicholas and Alison will survive is by staying in separate kneading tubs placed on the roof of houses, out of sight of all. While John remained in this kneading tub, Nicholas and Alison left to have ---, but were interrupted by Absolon, who demanded a kiss from Alison. She told him to close his eyes and he would receive a kiss. He did so, and she pulled down her pants so that he could kiss her nether region. The humiliated Absolon got a hot iron from a blacksmith and returned to Alison. This time, Nicholas tried the same trick, and Absolon burned him on the ass. Nicholas shouted for water, awakening John, who was asleep on the roof. He fell off the roof, hurting himself, and all were humiliated.
    The pilgrims laughed heartily at this tale, but Oswald the Reeve took offense, thinking that the Miller meant to disparage older men. In response, The Reeve's Tale told the story of a dishonest Miller, Symkyn, who repeatedly cheated his clients, which included the college at Cambridge. Two Cambridge students, Aleyn and John, went to the miller to buy meal and corn, but while they were occupied Symkyn let their horses run free and stole their corn. They were forced to stay with Symkyn for the night. That night, Aleyn seduced the miller's daughter, Molly, while John seduced the miller's wife. When Aleyn told John of his exploits, Symkyn overheard and fought with him. The miller's wife hit Symkyn over the head with a staff, knocking him unconscious, and the two students escaped with the corn that Symkyn had stolen.
    The Cook's Tale was intended to follow the Reeve's Tale, but this tale only exists as an incomplete fragment of no more than fifty lines. Following this tale is the Man of Law's Tale. The Man of Law's Tale tells the story of Constance, the daughter of a Roman emperor who becomes engaged to the Sultan of Syria on the condition that he converts to Christianity. Angered by his order to convert his country from Islam, the mother of the Sultan assassinates her son and Constance barely escapes. She is sent on a ship that lands in Britain, where she is taken in by the warden of a nearby castle and his wife, Dame Hermengild. Both of them soon convert to Christianity upon meeting her. A young knight fell in love with Constance, but when she refused him, he murdered Dame Hermengild and attempted to frame Constance. However, when King Alla made the knight swear on the Bible that Constance murdered Hermengild, his eyes burst. Constance marries King Alla and they have a son, Mauritius, who is born when Alla is at war in Scotland. Lady Donegild contrives to have Constance banished by intercepting the letters between Alla and Constance and replacing them with false ones. Constance is thus sent away again, and on her voyage her ship comes across a Roman ship. A senator returns her to Rome, where nobody realizes that she is the daughter of the emperor. Eventually, King Alla makes a pilgrimage to Rome, where he meets Constance once more, and the Roman emperor realizes that Mauritius is his grandson and names him heir to the throne.
    The Wife of Bath begins her tale with a long dissertation on marriage in which she recounts each of her five husbands. Her first several husbands were old men whom she would hector into providing for her, using guilt and refusal of sexual favors. However, the final two husbands were younger men, more difficult to handle. The final husband, Jankin, was a twenty-year-old, half the Wife of Bath's age. He was more difficult to handle, for he refused to let the Wife of Bath dominate him and read literature that proposed that women be submissive. When she tore a page out of one of his books, Jankin struck her, causing her to be deaf in one ear. However, he felt so guilty at his actions that from that point in the marriage, he was totally submissive to her and the two remained happy. The Wife of Bath's Tale is itself a story of marriage dynamic. It tells the tale of a knight who, as punishment for raping a young woman, is sentenced to death. However, he is spared by the queen, who will grant him freedom if he can answer the question "what do women want?" The knight cannot find a satisfactory answer until he meets an old crone, who promises to tell him the answer if he marries her. He agrees, and receives his freedom when he tells the queen that women want sovereignty over their husbands. However, the knight is dissatisfied that he must marry the old, low-born hag. She therefore tells him that he can have her as a wife either old and ugly yet submissive, or young and beautiful yet dominant. He chooses to have her as a young woman, and although she had authority in marriage the two were completely happy from that point.
    The Friar asks to tell the next tale, and asks for pardon from the Summoner, for he will tell a tale that exposes the fraud of that profession. The Friar's Tale tells about a wicked summoner who, while delivering summons for the church court, comes across a traveling yeoman who eventually reveals himself to be the devil himself. The two share trade secrets, and the devil tells him that they will meet again in hell if the summoner continues to pursue his trade. The summoner visits an old woman and issues her a summons, then offers to accept a bribe as a payment to prevent her excommunication. The old woman believes that she is without sin and curses the summoner. The devil then appears and casts the summoner into hell.
    The Summoner was enraged by the Friar's Tale. Before he begins his tale, he tells a short anecdote: a friar visited hell and was surprised to see that there were no other friars. The angel who was with him then lifted up Satan's tail and thousands of friars swarmed out from his ass. The Summoner's Tale is an equally vitriolic attack on friars. It tells of a friar who stays with an innkeeper and his wife and bothers them about not contributing enough to the church and not attending recently. When the innkeeper tells him that he was not recently in church because he has been ill and his infant daughter recently died, the friar attempted to placate him and then asked for donations once more. Thomas the innkeeper promised to give the friar a 'gift,' and gives him a loud fart.
    The Clerk, an Oxford student who has remained quiet throughout the journey, tells the next tale on the orders of the Host. The Clerk's Tale tells about Walter, an Italian marquis who finally decides to take a wife after the people of his province object to his longtime status as a bachelor. Walter marries Griselde, a low-born but amazingly virtuous woman whom everybody loves. However, Walter decides to test her devotion. When their first child, a daughter, is born, Walter tells her that his people are unhappy and wish for the child's death. He takes away the child, presumably to be murdered, but instead sends it to his sister to be raised. He does the same with their next child, a son. Finally, Walter tells Griselde that the pope demands that he divorce her. He sends her away from his home completely naked, for she had no belongings when she entered his house. Each of these tragedies Griselde accepts with great patience. Walter soon decides to make amends, and sends for his two children. He tells Griselde that he will marry again, and introduces her to the presumed bride, whom he then reveals is their daughter. The family is reunited once more. The Clerk ends with the advice that women should strive to be as steadfast as Griselde, even if facing such adversity is unlikely and perhaps impossible.
    The Merchant praises Griselde for her steadfast character, but claims that his wife is far different from the virtuous woman of the Clerk's story. He instead tells a tale of an unfaithful wife. The Merchant's Tale tells a story of January, an elderly blind knight who decides to marry a young woman, despite the objections of his brother, Placebo. January marries the young and beautiful May, who soon becomes dissatisfied with his constant sexual attention to her and decides to have an affair with his squire, Damian. When January and May are in their garden, May sneaks away to have --- with Damian. The gods Pluto and Proserpina come upon Damian and May and restore January's sight so that he may see what his wife is doing. When January sees what is occurring, May tells him not to believe his eyes, and he believes her.
    The Squire tells the next tale, which is incomplete. The Squire's Tale begins with a mysterious knight arriving at the court of Tartary. This knight gives King Cambyuskan a mechanical horse that can transport him anywhere around the globe and return him within a day and gives Canacee, the daughter of Cambyuskan, a mirror that can discern honesty and a ring that allows the wearer to know the language of animals and the healing properties of all herbs. Canacee uses this ring to aid a bird who has been rejected in love, but the abruptly ends.
    The Franklin's Tale that follows tells of the marriage between the knight Arviragus and his wife, Dorigen. When Arviragus travels on a military expedition, Dorigen laments his absence and fears that, when he returns, his ship will be wrecked upon the rocks off the shore. A young man, Aurelius, falls in love with her, but she refuses to return his favors. She agrees to have an affair with Aurelius only on the condition that he find a way to remove the rocks from the shore, a task she believes impossible. Aurelius pays a scholar who creates the illusion that the rocks have disappeared, while Arviragus returns. Dorigen admits to her husband the promise that she has made, and Arviragus tells her that she must fulfill that promise. He sends her to have an affair with Aurelius, but he realizes the pain that it would cause Dorigen and does not make her fulfill the promise. The student in turn absolves Aurelius of his debt. The tale ends with the question: which of these men behaved most honorably?
    The Physician's Tale that follows tells of Virginius, a respected Roman knight whose daughter, Virginia, was an incomparable beauty. Appius, the judge who governed his town, lusted after Virginia and collaborated with Claudius, who claimed in court that Virginia was his slave and Virginius had stolen her. Appius orders that Virginia be handed over to him. Virginius, knowing that Appius and Claudius did this in order to rape his daughter, instead gave her a choice between death or dishonor. She chooses death, and Virginius chops off his daughter's head, which he brings to Appius and Claudius. The people were so shocked by this that they realized that Appius and Claudius were frauds. Appius was jailed and committed suicide, while Claudius was banished.
    The Pardoner prefaces his tale with an elaborate confession about the nature of his profession. He tells the secrets of his trade, including the sale of useless items as saints' relics, and admits that his job is not to turn people away from sin, but rather to frighten them to such a degree that they pay for pardons. The Pardoner's Tale concerns three rioters who search for Death to vanquish him. They find an old man who tells them that they may find Death under a nearby tree, but under this tree they only find a large fortune. Two of the rioters send the third into town to purchase food and drink for the night, for they intend to escape with their fortune, and while he is gone they plan to murder him. The third rioter poisons the drink, intending to take all of the money for himself. When he returns, the two rioters stab him, then drink the poisoned wine and die themselves. The three rioters thus find Death in the form of avarice. The Pardoner ends his tale with a diatribe against sin, imploring the travelers to pay him for pardons, but the Host confronts him.
    The next story, The Shipman's Tale, is the story of a thrifty merchant who demands that his wife repay a one hundred franc debt that she owed him. The dissatisfied wife complained about this to Dan John, a monk who stayed with him, and he agrees to pay her the sum if she has an affair with him. She consents to this, and Dan John procures the one hundred francs by borrowing it from the merchant himself. However, the merchant realizes that he has been paid with money that he had lent to the monk. The wife therefore tells him that she can repay the debt to her husband in bed.
    The Prioress' Tale tells the story of a young Christian child who lived in a town in Asia that was dominated by a vicious Jewish population. When the child learned Alma redemptoris, a song praising the Virgin Mary, he traveled home from school singing this. The Jews, angry at his behavior, took the child and slit his throat, leaving him in a cesspool to die. The boy's mother searched frantically for her son. When she found him, he was not yet dead, for the Virgin Mary had placed a grain on his tongue that would allow him to speak until it was removed. When this was removed, the boy passed on to heaven. The story ends with a lament for the young boy and a curse for the Jews who perpetrated the heinous crime.
    Chaucer himself tells the next tape, The Tale of Sir Thopas, a florid and fantastical poem in rhyming couplets that serves only to annoy the other pilgrims. The Host interrupts Chaucer shortly into this tale, and tells him to tell another. Chaucer then tells The Tale of Melibee, one of the few tales that is in prose format. This tale tells about Melibee, a powerful ruler whose enemies rape his wife, Prudence, and nearly murder his daughter, Sophie. When deciding whether to declare war on his enemies, Prudence advises him to remain merciful, and they engage in a long debate over the appropriate course of action. Melibee finally gives his enemies the option: they can receive a sentence either from him or from his wife. They submit to Melibee's judgment, and he intends to disinherit and banish the perpetrators. However, he submits to his wife's plea for mercy.
    The Monk's Tale is not a narrative tale at all, but instead an account of various historical and literary figures who experience a fall from grace. These include Adam, Samson, Hercules, King Pedro of Spain, Bernabo Visconti, Nero, Julius Caesar, and Croesus. The Knights interrupts the Monk's Tale, finding his listing of historical tragedies monotonous and depressing.
    The Nun's Priest's Tale tells the story of the rooster Chanticleer and the hen Pertelote. Chanticleer was ill one night and had a disturbing dream that he was chased by a fox. He feared this dream was prophetic, but Pertelote assured him that his dream merely stemmed from his illness and that he should find herbs to cure himself. Chanticleer insists that dreams are signifiers, but finally agrees with his wife. When he searches for herbs, Chanticleer is indeed chased by a fox, but is saved when Pertelote squawks, alerting the woman who owns the farm where the two fowl live and causing her to chase the fox away.
    Chaucer follows this with The Second Nun's Tale. This tale is a biography of Saint Cecilia, who converts her husband and brother to Christianity during the time of the Roman empire, when Christian beliefs were illegal. Her brother and husband are executed for their beliefs, and she herself is cut three times with a sword during her execution, but does not immediately die. Rather, she lingers on for several more days, during which time she orders that her property be distributed to the poor. Upon her death Pope Urban declared her a saint.
    After the Second Nun finishes her tale, a Canon (alchemist) and his Yeoman join the band of travelers. The Canon had heard how they were telling tales, and wished to join them. The Yeoman speaks incessantly about the Canon, telling fantastical stories about his work, but this annoys the Canon, who suddenly departs. The Yeoman therefore decides to tell a tale himself. The Canon's Yeoman's Tale is a story of the work of a canon and the means by which they defraud people by making them think that they can duplicate money.
    The Host tells the Cook to tell the next tale, but he is too drunk to coherently tell one. The Manciple therefore tells his story. The Manciple's Tale is the story of how Phoebus, when he assumed mortal form, was a jealous husband. He monitored his wife closely, fearing that she would be unfaithful. Phoebus had a white crow that could speak the language of humans and could sing beautiful. When the white crow learns that Phoebus' wife was unfaithful, Phoebus plucks him and curses the crow. According to the Manciple, this explains why crows are black and can only sing in an unpleasant tone.
    The Parson tells the final tale. The Parson's Tale is not a narrative tale at all, however, but rather an extended sermon on the nature of sin and the three parts necessary for forgiveness: contrition, confession, and satisfaction. The tale gives examples of the seven deadly sins and explains them, and also details what is necessary for redemption. Chaucer ends the tales with a retraction, asking those who were offended by the tales to blame his rough manner and lack of education, for his intentions were not immoral, while asking those who found something redeemable in the tales to give credit to Christ.

  3. #43
    حـــــرفـه ای Asalbanoo's Avatar
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    Jun 2006
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    پيش فرض The Count of monte cristo

    The novel begins with the handsome young sailor Edmond Dantes. He has just returned from a journey aboard the Pharaon. The Pharaon's shipowner, M. Morrel, rushes out to meet the ship. He finds that the captain has died en route, and Dantes has assumed the post with admirable skill. He thus plans to make Dantes officially the next captain of the ship.
    Dantes future is thus promising. His father's financial situation as well as his own will be greatly ameliorated. In addition, Dantes has plans to marry the beautiful Mercedes who has awaited his return from sea with great anxiety and love.
    Dantes will not get the chance to realize his bright future, however. His success has earned him three conspiring enemies. They write a letter falsely incriminating him in a Bonapartist plot (the royalists are currently in power). These three enemies are Danglars, Fernand Mondego, and Caderousse. Danglars will become captain of the Pharaon once Dantes is removed, Fernand aspires to win Mercedes' love, and Caderousse is a jealous neighbor of Dantes.
    Perhaps the conspiracy would not have been so successful had not the denunciation fallen into the hands of the public prosecutor, Monsieur de Villefort. This man has nothing personal against Dantes, however, he has Dantes incarcerated as a most dangerous criminal. His policy against Bonapartists must be extremely vigilant in order to counter the reputation of his father. His father is a known Bonapartist, and Villefort is paranoid that this fact shall hurt his career among the ruling royalists. Thus, he throws Dantes, an innocent man, into the Chateau D'If.
    Political regimes change, yet Dantes is forgotten. M. Morrel attempts to have him freed, yet to no avail. In prison, Dantes loses hope and decides to starve himself to death. Thankfully, the prisoner in the next cell was building a tunnel to escape. Miscalculations bring the Abbe Faria, to Dantes cell instead of freedom. The two become friends, and the learned Abbe teaches Dantes all his vast knowledge of literature, the sciences and languages. The Abbe also reveals to Dantes the location of an immense treasure on the Isle of Monte Cristo. He hopes Dantes will retrieve this treasure should he escape. When the Abbe dies, Dantes replaces his body with the Abbe's. The Abbe's body bag is thrown into the sea. Dantes is free at last, after fourteen years of imprisonment. Dantes is saved from the sea by Italian smugglers.
    Dantes' only reason for living now is to have vengeance upon those who threw his life away. He becomes a smuggler for a time, and finally has the opportunity to retrieve the treasure spoken of by Abbe Faria. He shall use this treasure to calculate the downfall of the four men who imprisoned him. Dantes', now the Count of Monte Cristo, shall calculate his revenge over the next10 years. He has already waited fourteen years, thus he has learned the virtue of patience. These men deserve to suffer. Their downfall shall be all the more destructive if his revenge is not brash, but calculated. Over the next ten years, Monte Cristo conditions himself, and learns of all the details of his enemies past. He also amasses a circle of servants who are forever indebted to him. Using his immense fortune he buys back freedom of men such as Peppino. Luigi Vampa, the great Italian bandit is also indebted to the Count. These men owe the Count their lives, and will prove indispensable to the Count's plans for revenge.
    Before exacting revenge, however, the Count rewards the one family that remained true to him. He saves the Morrel firm from financial disaster by providing a diamond and a new ship to the family anonymously.
    The count is now ready to exact revenge. He understands his duty to act as divine justice. When the Count is ready to enter Parisien society, and to destroy his enemies, he does so through contact with Albert de Morcerf. This is the son of Count de Morcerf, a new title given to the very same Fernand Mondego who conspired against Dantes. By winning Albert's trust he is introduced to all his former enemies, including Danglars, Count de Morcerf, and Monsieur de Villefort. These men are at the center of social and political life in Paris and are very rich. Monte Cristo's arrival in Paris causes a great stir, for his fortune is immense. None of his enemies recognize him however. In fact, they are all eager to associate with this great man. Mercedes, now the Countess de Morcerf, recognizes him, yet she does not reveal his identity to anyone.
    The Count of Monte Cristo also disguises himself as an Abbe and returns to find Caderousse still a poor man. He gives Caderousse a diamond, yet he knows this shall not bring Caderousse happiness. Caderousse's greed is far too great. The diamond is part of Caderousse's slow punishment. First, Caderousse kills a jeweler, his wife, and is then thrown into prison. The Count, disguised as a Lord Wilmore, later helps Caderousse escape from prison. Caderousse then attempts to rob the count, still not knowing that it is Dantes. During this robbery attempt, Caderousse is murdered by his accomplice, Benedetto. As Caderousse is dying, the Count whispers his identity in Caderousse's ear. Caderousse then cries out to God.
    Fernand Mondego became a military hero and had married Mercedes who had given up hope to ever see Dantes again. Mercedes was unaware of the treachery of her husband. They have a fortune, and exist in Parisien society as the Count and Countess de Morcerf. The Count destroys Morcerf by revealing his military treachery to all of Parisien society. Monte Cristo had bought Haydee as a slave. This girl was once the daughter of Ali Pasha who was betrayed by Morcerf. She testifies that the Count sold her into slavery. Her father had been the Count de Morcerf's benefactor. Morcerf had killed her father, surrendered her father's Greek City to the Turks, and sold his wife and daughter into slavery. When this news is revealed to Paris, the Count de Morcerf is thus ruined. His wife and son flee, and he shoots himself.
    Monsieur de Villefort had married twice. He has one daughter by his first wife and a son by his second wife. Valentine is his daughter. The Count destroys de Villefort by introducing Andrea Calvacanti into society. Benedetto, alias Calvacanti, is the son of Monsieur de Villefort and Madame Danglars. Long ago, Villefort had attempted to bury the newborn baby alive, but Bertuccio, now Monte Cristo's servant had dug the baby up and saved it. Villefort's crime is revealed in a court of law, since Calvacanti is on trial as an escaped convict. Villefort is thus destroyed. His wife as treacherous as he had also poisoned his entire family. Her motive was to gain a fortune for her son. The Count however, had saved Valentine, since Maximilien Morrel, the son of M. Morrel was in love with her. Villefort goes insane.
    Danglars had become a rich banker. He has a wife and daughter. His wife is of noble birth, yet when Danglars married her, her repute as a woman was suspect. The Count destroys Danglars by opening credit with him for six million francs. Right when Danglars needs this money, the Count also takes a receipt for five million francs from him to cash. Danglars can no longer uphold his firm. He follows Danglars to Italy, once Danglars flees Paris. (Danglars has been alienated from his wife for years, and his daughter runs off, as a result of a failed marriage contract to Andrea Calvacanti. Monte Cristo had also arranged this failed enterprise. Danglars thus had no reason to stay in Paris.) Danglars tries to redeem his five million francs from Monte Cristo's firm in Italy. Once he does this, Monte Cristo's bandits follow him, and they destroy him financially by holding him captive and requiring him to pay vast sums of money to survive on a little food. Danglars is left with nothing and his hair turns white during his brief captivity with the Monte Cristo's bandits. Monte Cristo does not fail to inform Danglars his true identity.
    Thus, the Count's revenge is now complete. He has succeeded in his quest for slow revenge. His enemies have suffered for their sins. He has one last meeting with Mercedes. Mercedes shall lead a life of prayer in a convent, for her son has gone to rebuild his future in the army.
    The Count of Monte Cristo had assumed the role of Providence by destroying all that had been built by his enemies during his long years of imprisonment. He must now leave. After leaving much of his belongings to Maximilien Morrel and Valentine, to whom he wishes eternal love and happiness, he leaves aboard a ship with Haydee his own new love

  4. #44
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    پيش فرض The scarlet letter

    The novel opens with Hester being led to the scaffold where she is to be publicly shamed for having committed adultery. Hester is forced to wear the letter "A" on her gown at all times. She has stitched a large scarlet "A" onto her dress with gold thread, giving the letter an air of elegance.
    Hester carries Pearl, her daughter, with her. On the scaffold she if asked to reveal the name of Pearl's father, but she refuses. In the crowd Hester recognizes her husband from Amsterdam, Roger Chillingworth.
    Chillingworth visits Hester after she is returned to the prison. He tells her that he will find out who the man was, and that he will read the truth on the man's heart. He then forces her to promise never to reveal his true identity.
    Hester moves into a cottage bordering the woods. She and Pearl live there in relative solitude. Hester earns her money by doing stitchwork for local dignitaries, but often spends her time helping the poor and sick. Pearl grows up to be wild, in the sense that she refuses to obey her mother.
    Roger Chillingworth earns a reputation as being a good physician. He uses his reputation to get transferred into the same home as Arthur Dimmesdale, an ailing minister. Chillingworth eventually discovers that Dimmesdale is the true father of Pearl, at which point he spends his every moment trying to torment the minister.
    One night Dimmesdale is so overcome with shame about hiding his secret that he walks to the scaffold where Hester was publicly humiliated. He stands on the scaffold and imagines the whole town watching him with a letter emblazoned on his chest. While standing there, Hester and Pearl arrive. He asks them to stand with him, which they do. Pearl then asks him to stand with her the next day at noon.
    When a meteor illuminates the three people standing on the scaffold, they see Roger Chillingworth watching them. Dimmesdale tells Hester that he is terrified of Chillingworth, who offers to take Dimmesdale home. Hester realizes that Chillingworth is slowly killing Dimmesdale, and that she has to help him.
    A few weeks later Hester sees Chillingworth picking herbs in the woods. She tells him that she is going to reveal the fact that he is her husband to Dimmesdale. He tells her that Providence is now in charge of their fates, and that she may do as she sees fit.
    Hester takes Pearl into the woods where they wait for Dimmesdale to arrive. He is surprised to see them, but confesses to Hester that he is desperate for a friend who knows his secret. She comforts him and tells him Chillingworth's true identity. He is furious, but allows her to convince him that they should run away together. He finally agrees, and returns to town with more energy than he has ever shown before.
    Hester finds a ship which will carry all three of them, and it works out that the ship is due to sail the day after Dimmesdale gives his Election Sermon. However, during the day of the sermon, Chillingworth gets the ship's captain to agree to take him on board as well. Hester does not know how to get out of this dilemma.
    Dimmesdale gives his Election Sermon, and it receives the highest accolades of any preaching he has ever performed. He then unexpectedly walks to the scaffold and stands on it, in full view of the gathered masses. Dimmesdale calls Hester and Pearl to come to him. Chillingworth tries to stop him, but Dimmesdale laughs and tells him that he cannot win.
    Hester and Pearl join Dimmesdale on the scaffold. Dimmesdale then tells the people that he is also a sinner like Hester, and that he should have assumed his rightful place by her side over seven years earlier. He then rips open his shirt to reveal a scarlet letter on his flesh. Dimmesdale falls to his knees and dies while on the scaffold.
    Hester and Pearl leave the town for a while, and several years later Hester returns. No one hears from Pearl again, but it is assumed that she gets married and has children in Europe. Hester never removes her scarlet letter, and when she passes away she is buried in Kings' Chapel.

  5. #45
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    پيش فرض Ulysses

    [LEFT]Joyce's novel is set in Dublin on the day of June 16, 1904 and the protagonist, Leopold Bloom, is a middle-aged Jew whose job as an advertisement canvasser forces him to travel throughout the city on a daily basis. While Bloom is Joyce's "Ulysses" character, the younger hero of the novel is Stephen Dedalus, the autobiographical character from Joyce's first novel, A Portrait of the Artist as a Young Man. While Joyce develops the character of the young student, most of the novel is focused on Bloom.
    Bloom's wife Molly is a singer and she is having an affair with her co-worker, Blazes Boylan, and early in the morning of June 16, Bloom learns that Molly intends to bring Boylan into their bed later that afternoon. The Blooms have a daughter named Milly (age 15) who is away, studying photography. Ten years ago, Molly gave birth to a son, Rudy, but he died when he was eleven days old and Bloom often thinks of the parallel between his dead son Rudy and his dead father Rudolph, who killed himself several years before.
    Stephen Dedalus is the central character of the novel's first three chapters, which constitute Part I of Ulysses. Dedalus is an academic and a schoolteacher and he has left Ireland for Paris but he was forced to return upon hearing news that his mother was gravely ill. The initial depictions of Stephen indicate that he is guilty because he has separated from the Catholic Church and refused to pray at the side of his mother's deathbed despite her pleading. Stephen has literary ambitions but his desire to write Ireland's first true epic is tempered by his fear that the island is too stultifying for him to be a success. Stephen lives in Martello Tower with Buck Mulligan and a British student, Haines, and Stephen's introverted personality prevents him from asserting himself. Instead, his friends patronize him and take advantage of him.
    The opening three chapters, "Telemachus," "Nestor" and "Proteus," track the early morning hours of Stephen Dedalus who eats breakfast, teaches at a school in Dalkey and wanders Sandymount Strand. The opening chapters of Part II ("Calypso" and "Lotus-Eaters") begin the day anew, charting the early morning rituals of Leopold Bloom, who must later attend the funeral of his friend, Paddy Dignam. In "Calypso" and "Lotus-Eaters," the reader learns that Bloom is a servile husband who prepares breakfast and runs errands on behalf of his wife Molly, who remains half-asleep. We also learn that Bloom is preoccupied with food and ---. He relishes eating a slightly burned kidney and has a penchant for voyeurism.
    The "Hades" chapter of Ulysses recounts the burial of Paddy Dignam in Glasnevin Cemetery and it is at this point that Joyce begins to develop his theme of Bloom as a Jewish outsider in an overwhelmingly Roman Catholic society. Bloom's insecurities are only heightened by his foreknowledge of Molly's infidelity. Both Leopold Bloom and Stephen Dedalus are set on a long winding tour of Dublin that occupies most of the afternoon and they continually cross paths before eventually meeting later that night. The afternoon chapters begin with "Aeolus" and conclude with Bloom's altercation with the Citizen in "The Cyclops."
    After Dignam's funeral, we get a more detailed view of Bloom's routine day. Bloom immediate heads for the downtown newspaper office-a building that is shared by three companies. Considering the frenetic pace of the news building, the employees' treatment of Bloom seems excessively rude and dismissive and Bloom's attempt to secure an easy advertisement renewal requires a trip to the National Library. Bloom's library visit in "Scylla and Charybdis" presents another occasion for him to talk to Stephen as their paths cross again but they continue on their separate paths, neither cognizant of the other. Bloom's suffers the afternoon, dreading his wife's adulterous act, scheduled for 4:30 pm. Joyce uses the "Wandering Rocks" chapter to mirror Bloom's desperation with the squalor of the city's poorest families before contrasting Bloom's unhappy solitude with the jovial and musical atmosphere of "The Sirens." Bloom simply shrugs off the prejudice of his acquaintances, accepts his solitude as his fate and even at this point, tries to ignore the serious problems in his marriage.
    Upon entering Kiernan's pub, late in the afternoon, Bloom is confronted by the Citizen, a half-blind patriot whose outspoken anti-Semitism forces Bloom to assert his identity, arguing that he can be a Jew and an Irish citizen, simultaneously. Citizen is quiet before resuming his offense. Having burdened the entire pub as a menacing drunk, Citizen focuses the brunt of his attack on Bloom, accusing him of "robbing widows and orphans," even as Bloom readies to leave, in order to visit the widow of Paddy Dignam. Bloom coolly replies to Citizen who becomes indignant when Bloom asserts that Christ, himself, was a Jew. This altercation is the first of the novel's two dramatic climaxes. When Bloom exits the pub, the raging drunk hurls a biscuit tin at his head, but Bloom escapes unharmed. Even as the Citizen's depressed faculties hindered him, he was blinded by the sun, guaranteeing Bloom's victory. The "Wandering Jew" "ascends" into the heavens and the concluding prose of "The Cyclops" strongly suggests that Joyce modeled Bloom after Elijah who ascended immediately after completing his course. While Bloom's problems with Molly remain, his victory in Kiernan's pub anticipates his final transformation into Stephen's temporary paternal figure. As an Elijah, Bloom passes the "mantle" to Stephen Dedalus.
    The earliest chapter of night is "Nausicaa," which depicts Bloom as an incredibly solemn and tired man. As he walks the beach of Sandymount Strand we understand that the eclipsing evening corresponds to his aging and depressing loss of virility. Even though Bloom is only a middle-aged man with a fifteen-year old daughter, he bears the image of an elderly wanderer. A young woman named Gerty MacDowell is sitting within their range of mutual sight and as she is overcome with emotional longing and maternal love, she notices that Bloom is staring at her while he is conspicuously masturbating himself in his pocket. MacDowell seeks to offer Bloom a "refuge" and she abets his deed by displaying her undergarments in a coquettish manner. After masturbating, Bloom is enervated, complaining that Gerty has sapped the youth out of him.
    Joyce's deliberate narrative structure produces the interaction between Bloom and Dedalus right as Bloom contemplates the diminution of his own masculinity and youth. Bloom meets Dedalus in the National Maternity Hospital, unexpectedly, having arrived to visit Mrs. Mina Purefoy, who had been in labor for three days. Stephen had accompanied several friends to the Hospital, including Mulligan who has corrupted his friends into a loud table of young drunks. Bloom worries for Stephen's safety and he eventually accompanies the young man to "Nighttown," the red-light district where the "Circe" chapter is set. Undoubtedly, "Circe" is the most memorable chapter of the book: Bloom suffers "hallucinations" while walking on the street and they continue inside the brothel of Bella Cohen. Joyce's "Circe" employs Freudian theories of the subconscious, of repression and sexual desire. Bloom's hallucinations conflate feelings of religious guilt, acts of sado-masochism and the shame of being cuckolded by the popular ladies' man, Blazes Boylan.
    When Bloom re-emerges from his hallucinations, he finds that Stephen is completely vulnerable, having degenerated into a limp and intoxicated creature. It is unclear what is causing Stephen to jump around the room and half-climb the furniture until we see him smash his walking stick into the chandelier, resisting the ghost of his dead mother who has returned from the grave to use guilt in order to coerce Stephen into Catholicism. The scene becomes chaotic as Bloom assists Stephen out of Cohen's brothel. Stephen is alone after his friend Vincent Lynch forsakes him. It is Bloom who tends to Stephen when he passes out after a pugnacious British soldier delivers a heavy blow, aware that Stephen is incapable of defending himself. Bloom sees the development as an opportunity to forge a relationship with Stephen. Bloom succeeds in transporting Dedalus to the Cabman's Shelter for some coffee and they continue their conversations about love and music in Bloom's home at 7 Eccles Street. Despite Bloom's insistence, Stephen declines the offer to spend the night in his home and as the novel concludes, it seems likely that Stephen, like Bloom, must embark upon his own heroic quest. "Penelope," the final chapter of Ulysses, presents Molly's assessment of Bloom. Just as we come to understand how Bloom's lack of empathy largely motivated Molly's infidelity, we also come to understand that Molly truly loves her husband, independent of the question of their marriage.

  6. #46
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    پيش فرض The sorrow of young Werther

    The Sorrows of Young Werther, a novel that consists almost entirely of letters written by Werther to his friend Wilhelm, begins with the title character in a jubilant mood after having just escaped from a sticky romantic situation with a woman named Leonora. Werther has settled in a rural town, determined to spend some time painting, sketching, and taking excursions around the countryside. Werther does not accomplish much work, preferring to admire the easy lifestyle of the peasant class, which reminds him of the ancient "patriarchal life" found in the Bible. Werther makes the acquaintance of many of the local peasants, including two peasant brothers, Hans and Philip, and a country lad who is in love with the widow who employs him.
    Werther finds Wahlheim, a village a short distance away from his town, to be the most charming place in the countryside. This estimation increases a hundredfold when he meets the village bailiff's daughter, Lotte, at a dance. Their interaction is immediately striking - they are both enthusiasts of the new sentimental style of literature, represented by Goldsmith and Klopstock, as well as ancient writers like Homer and Ossian. Lotte, however, is engaged to an upstanding man, Albert. Werther must satisfy himself with friendship alone.
    In the coming weeks, Werther grows more and more impressed with Lotte, cherishing her unique charm and insight as she uncomplainingly carries the burden of motherhood. She is the eldest of eight children, and assumed the responsibility of caring for her siblings after her mother's death. However, Albert returns, and Werther must meet the man who has Lotte's heart. After determining that he will leave, Werther instead stays, forming a friendship with Albert, who he finds to be both intelligent and open-minded, though much more sensible than the romantic Werther.
    Upon Albert's arrival, however, Werther grows increasingly infatuated with Lotte. He can't resist feeling that Lotte would be happier with him; they are both initiates in the intense, subjective emotionalism of Sturm und Drang, and Albert is not. However, the faithful Lotte has no intention of leaving her fiancé, and Werther determines, at Wilhelm's recommendation, to take an official court position rather than remain in an impossible triangle. He leaves Wahlheim without informing Albert or Lotte of his plan.
    Werther's official position, however, is a great disappointment to him. He clashes with his employer, the envoy, who is as meticulous and cerebral as Werther is spontaneous and emotional. Werther also loathes the social scene of his new job, in which the aristocratic class rules over all, though he cultivates rewarding friendships with two aristocrats, Count C and Fräulein von B. The positive aspect of his job crumbles, however, when the aristocratic class, including Fräulein von B, snubs Werther at one of Count C's parties. Humiliated, Werther resigns from his position, moving with another friend, Prince ---, to the Prince's country estates. This situation, too, is short-lived, as Werther finds himself irrevocably drawn back to Wahlheim and Lotte.
    When Werther returns to Wahlheim, he discovers that his infatuation with Lotte has only grown stronger during the separation. As Lotte later suggests, it seems that the impossibility of his possessing her is what feeds his obsession. Albert and Werther become increasingly estranged, and Lotte is caught in the middle. Also, the countryside has taken a turn away from the idyllic: Hans is dead, and the country lad's tale of love has ended in murder. Meanwhile, Werther meets Heinrich, a former employee of Lotte's father's, who was driven mad by an unrequited passion for her. Werther feels increasingly hopeless.
    Three days before Christmas of 1772, in an attempt to salvage what is left of their relationship, Lotte orders Werther not to visit her until Christmas Eve, when he will be just another friend. Werther decides that he cannot live on such terms with Lotte, electing instead to kill himself. He pays Lotte a final visit, during which he forces a kiss and is ordered never to see her again.
    At home, alone, Werther writes Lotte a letter. He asks her for Albert's hunting pistols, and she sends them to him. Then, with a calmness hitherto unknown to his restless soul, Werther shoots himself in the head. He lingers until the morning; Lotte, Albert and Lotte's brothers and sisters watch him die. At the novel's end, Werther is buried without a church service. Lotte's own life is in jeopardy as well; she is driven to desperate grief by Werther's action.

  7. #47
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    پيش فرض Breakfast at Tiffany's

    Breakfast at Tiffany's documents the year-long friendship of a New York writer, whose name is never mentioned, with his neighbor Holly Golightly. The story is presented as the writer's recollections approximately twelve years after the conclusion of the friendship. Reminded of Holly by a visit with another old friend, Joe Bell, who is in possession of a photograph of an African carving that resembles Holly, the narrator relates that he occupied the same upper East-side brownstone as Holly over ten years ago. Shortly after he moves in, he notices Holly late one summer night when she loses her key and rings another tenant, I.Y. Yunioshi, to let her into the building, causing a commotion. He describes her as just under nineteen years old, thin and chicly dressed with a boyish haircut. When Holly begins ringing the narrator to let her into the building late at night, he is intrigued. He enjoys observing Holly at trendy restaurants and night clubs around town, and often watches her feeding her nameless cat or playing country songs on her guitar from his fire escape window. He even takes note of her trash, which contains numerous love letters from overseas soldiers.
    In September, Holly visits the narrator's apartment in the middle of the night after one of her lovers turns vicious in bed. The two converse and Holly reveals that she has been paying weekly visits to Sally Tomato, a notorious gangster who is incarcerated in Sing Sing prison. Tomato’s lawyer, O’Shaughnessey, pays Holly $100 per visit to convey "the weather report" - encrypted messages - between the two men. The narrator reads Holly one of his short stories, which she finds uninteresting, and the two fall asleep on his bed. She leaves abruptly when he asks her why she is crying in the middle of her sleep.
    Despite this hostile exchange, Holly and the narrator reconcile, and she invites him to a party at her apartment. There, the narrator meets O.J. Berman, a Hollywood agent who relates the story of his unsuccessful attempts to make Holly the teenage runaway into Holly the movie starlet. The narrator also meets Rusty Trawler, a millionaire famous for his checkered family past who appears to be conducting an affair with Holly, and Mag Wildwood, an eccentric model who drunkenly insults Holly and passes out on the living room floor. Holly is upset with the narrator for not seeing Mag home safely, but he continues to observe Holly from a distance. He takes particular notice when Mag moves into Holly's apartment and often sees the two women leaving the apartment in the evenings accompanied by Rusty Trawler and Jose Yberra-Jaegar, a Brazilian politician to whom Mag is engaged.
    Holly and the narrator reconcile when he shares with her the exciting news that his first short story has been published. While she feels that he should be more commercially ambitious as a writer, she nevertheless takes him out to celebrate. The two spend a day at Central Park, where they exchange stories about their childhoods, the narrator noticing that Holly's story is a fabrication. They later shoplift Halloween masks from Woolworth's. Shortly thereafter, the narrator spots Holly entering the public library. Following her inside, he observes that she is consulting books about the politics and geography of Brazil. Despite the deceptions and secrets that seem to trouble Holly's relationships with others, the two become close. On Christmas Eve, the narrator and Holly exchange gifts: he presents her with a St. Christopher's medal from Tiffany's, her favorite New York landmark, and she gives him an antique bird cage she knew he had admired, making him promise that he will never use it to imprison a "living thing."
    Holly's inner circle crumbles in February, when Mag suspects Holly of having an affair with Jose on a group trip to the Florida keys. Upon her return, she and the narrator argue and she suggests his writing "means nothing" and is un-sellable. Protective of his artistic integrity and offended by Holly's crass commercialism, the narrator doesn't speak to Holly until later that spring, when the arrival of Doc Golightly sparks his sympathy for his former friend. Doc Golightly asks the narrator for help with his search for Holly, and reveals that he is Holly's husband. He tells the narrator the story of their marriage in Tulip, Texas, which occurred when Holly was only fourteen after she and her brother, Fred, escaped the cruel foster family they were placed with following their parents' death. Doc further informs the narrator that Holly's real name is Lulamae Barnes, and that she ran away from Doc and his extended family despite his willingness to indulge her often expensive demands. The narrator seems to re-unite Doc and Holly successfully, but Doc returns to Texas the next morning.
    When the narrator reads that Rusty Trawler has married Mag Wildwood, he rushes home to tell Holly. He finds Holly's apartment in an uproar, the sound of breaking glass emanating from behind the front door. Joined by Jose and a doctor, the narrator enters her apartment to see Holly sick with grief and rage. Jose reveals to the narrator that earlier that morning, Holly received a telegram informing her of her brother Fred's death in the war. Over the next few months, the narrator watches Holly transform into a domestic homebody as her romance with Jose dominates her life. She furnishes her apartment, learns to cook, and gains weight. Over one of her home-cooked meals, Holly confesses to the narrator that she is pregnant, and that she expects to marry Jose and live with him in Brazil. This wish becomes reality, and on September 30, the narrator is despondent to learn that Holly is leaving for Brazil the following week. She invites him to join her on a horseback ride through Central Park. The pair are enjoying their ride when the narrator's horse is deliberately provoked by a group of young boys. The horse gallops off wildly into New York traffic, and is finally halted by Holly and a mounted police officer. The narrator passes out in shock. Holly takes him back to his apartment and bathes him.
    However, they are soon interrupted by the intrusion of their neighbor, Sapphia Spanella, who is accompanied by two police officers. The officers arrest Holly on charges of conspiracy with Sally Tomato and O’Shaughnessy. The arrest is publicized in all the major papers, and with the exception of O.J. Berman, who hires her a top lawyer, Holly's society friends are largely unwilling to help her. The narrator visits Holly in the hospital, where she is recovering from a miscarriage induced by her vigorous horseback riding on the day of the arrest. He brings her a letter from Jose, in which he notifies her that, because of his political reputation, he is unwilling to continue their relationship. An upset Holly confides to the narrator that she is nonetheless planning on skipping out on bail and escaping to Brazil. She asks the narrator to aid her in the escape.
    That Saturday, the narrator collects a few of Holly's belongings, including her cat, and brings them to Joe's bar, where Holly is waiting. Joe calls a taxi, and the narrator accompanies Holly on the drive. She asks the driver to stop in Spanish Harlem, where she leaves her cat on the street. The narrator chastises Holly, who is soon overcome with grief and jumps out of the taxi to search for the cat, who is nowhere to be found. The narrator promises Holly he will return to the neighborhood to search for her cat, and Holly leaves. While the authorities soon trace Holly's flight to Rio, Sally Tomato's death in Sing Sing makes her indictment unnecessary. Aside from a single postcard from Buenos Aires, the narrator never hears from Holly again. However, keeping his promise, he finds Holly's cat, now safely at home in a Spanish Harlem apartment.

  8. #48
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    پيش فرض The rime of the ancient marine

    e rime of the ancient marine
    An Ancient Mariner, unnaturally old and skinny, with deeply-tanned skin and a “glittering eye”, stops a Wedding Guest who is on his way to a wedding reception with two companions. He tries to resist the Ancient Mariner, who compels him to sit and listen to his woeful tale. The Ancient Mariner tells his tale, largely interrupted save for the sounds from the wedding reception and the Wedding Guest’s fearsome interjections. One day when he was younger, the Ancient Mariner set sail with two hundred other sailors from his native land. The day was sunny and clear, and all were in good cheer until the ship reached the equator. Suddenly, a terrible storm hit and drove the ship southwards into a “rime” - a strange, icy patch of ocean. The towering, echoing “rime” was bewildering and impenetrable, and also desolate until an Albatross appeared out of the mist. No sooner than the sailors fed it did the ice break and they were able to steer through. As long as the Albatross flew alongside the ship and the sailors treated it kindly, a good wind carried them and a mist followed. One day, however, the Ancient Mariner shot and killed the Albatross on impulse.
    Suddenly the wind and mist ceased, and the ship was stagnant on the ocean. The other sailors alternately blamed the Ancient Mariner for making the wind die and praised him for making the strange mist disappear. Then things began to go awry. The sun became blindingly hot, and there was no drinkable water amidst the salty ocean, which tossed with terrifying creatures. The sailors went dumb from their thirst and sunburned lips. They hung the Albatross around the Ancient Mariner’s neck as a symbol of his sin. After a painful while, a ship appeared on the horizon, and the Ancient Mariner bit his arm and sucked the blood so he could cry out to the other sailors. The ship was strange: it sailed without wind, and when it crossed in front of the sun, its stark masts seemed to imprison the sun. When the ship neared, the Ancient Mariner could see that it was a ghost ship manned by Death, in the form of a man, and Life-in-Death, in the form of a beautiful, naked woman. They were gambling for the Ancient Mariner’s soul. Life-in-Death won the Ancient Mariner’s soul, and the other sailors were left to Death. The sky went black immediately as the ghost ship sped away. Suddenly all of the sailors cursed the Ancient Mariner with their eyes and dropped dead on the deck. Their souls zoomed out of their bodies, each taunting the Ancient Mariner with a sound like that of his crossbow. Their corpses miraculously refused to rot; they stared at him unrelentingly, cursing him with their eyes.
    The Ancient Mariner drifted on the ocean in this company, unable to pray. One night he noticed some beautiful water-snakes frolicking at the ship’s prow in the icy moonlight. Watching the creatures brought him unprecedented joy, and he blessed them without meaning to. When he was finally able to pray, the Albatross fell from his neck and sank into the sea. He could finally sleep, and dreamed of water. When he awoke, it was raining, and an awesome thunderstorm began. He drank his fill, and the ship began to sail in lieu of wind. Then the dead sailors suddenly arose and sailed the ship without speaking. They sang heavenly music, which the ship’s sails continued when they had stopped. Once the ship reached the equator again, the ship jolted, causing the Ancient Mariner to fall unconscious. In his swoon, he heard two voices discussing his fate. They said he would continue to be punished for killing the Albatross, who was loved by a spirit. Then they disappeared. When the Ancient Mariner awoke, the dead sailors were grouped together, all cursing him with their eyes once again. Suddenly, however, they disappeared as well. The Ancient Mariner was not relieved, because he realized that he was doomed to be haunted by them forever.
    The wind picked up, and the Ancient Mariner spotted his native country’s shore. Then bright angels appeared standing over every corpse and waved silently to the shore, serving as beacons to guide the ship home. The Ancient Mariner was overjoyed to see a Pilot, his boy, and a Hermit rowing a small boat out to the ship. He planned to ask the Hermit to absolve him of his sin. Just as the rescuers reached the ship, it sank suddenly and created a vortex in the water. The rescuers were able to pull the Ancient Mariner from the water, but thought he was dead. When he abruptly came to and began to row the boat, the Pilot and Pilot’s Boy lost their minds. The spooked Hermit asked the Ancient Mariner what kind of man he was. It was then that the Ancient Mariner learned of his curse; he would be destined to tell his tale to others from beginning to end when an agonizing, physical urge struck him. After he related his tale to the Hermit, he felt normal again.
    The Ancient Mariner tells the Wedding Guest that he wanders from country to country, and has a special instinct that tells him to whom he must tell his story. After he tells it, he is temporarily relieved of his agony. The Ancient Mariner tells the Wedding Guest that better than any merriment is the company of others in prayer. He says that the best way to become close with God is to respect all of His creatures, because He loves them all. Then he vanishes. Instead of joining the wedding reception, the Wedding Guest walks home, stunned. We are told that he awakes the next day “sadder and…wiser” for having heard the Ancient Mariner’s tale.

  9. #49
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    پيش فرض Communist Manifesto

    The Communist Manifesto opens with the famous words "The history of all hitherto societies has been the history of class struggles," and proceeds in the next 41 pages to single-mindedly elaborate this proposition (79). In section 1, "Bourgeois and Proletarians," Marx delineates his vision of history, focusing on the development and eventual destruction of the bourgeoisie, the dominant class of his day. Before the bourgeoisie rose to prominence, society was organized according to a feudal order run by aristocratic landowners and corporate guilds. With the discovery of America and the subsequent expansion of economic markets, a new class arose, a manufacturing class, which took control of international and domestic trade by producing goods more efficiently than the closed guilds. With their growing economic powers, this class began to gain political power, destroying the vestiges of the old feudal society which sought to restrict their ambition. According to Marx, the French Revolution was the most decisive instance of this form of bourgeois self-determination. Indeed, Marx thought bourgeois control so pervasive that he claimed that "the executive of the modern State is but a committee for managing the common affairs of the whole bourgeoisie" (82).
    This bourgeois ascendancy has, though, created a new social class which labor in the new bourgeois industries. This class, the proletariat, "wage-laborers who, having no means of production of their own, are reduced to selling their labor power in order to live," are the necessary consequence of bourgeois modes of production (79). As bourgeois industries expand and increase their own capital, the ranks of the proletariat swell as other classes of society, artisans and small business owners, cannot compete with the bourgeois capitalists. Additionally, the development of bourgeois industries causes a proportional deterioration in the condition of the proletariat. This deterioration, which can be slowed but not stopped, creates within the proletariat a revolutionary element which will eventually destroy their bourgeois oppressors. As Marx says, "What the bourgeoisie, therefore, produces, above all, is its own grave-diggers. Its fall and the victory of the proletariat are equally inevitable" (94).
    In Chapter 2, "Proletariats and Communists," Marx elaborates the social changes communists hope to effect on behalf of the proletariat. Marx notes firstly that the interests of communists do not differ from the interests of the proletariat as a class; they seek only to develop a class consciousness in the proletariat, a necessary condition of eventual proletariat emancipation. The primary objective of communists and the revolutionary proletariat is the abolition of private property, for it is this that keeps them enslaved. Bourgeois economics, i.e., capitalism, requires that the owners of the means of production compensate workers only enough to ensure their mere physical subsistence and reproduction. In other words, the existence of bourgeois property, or capital as Marx calls it, relies on its radically unequal distribution. The only way the proletariat can free itself from bourgeois exploitation is to abolish capitalism. In achieving this goal, the proletariat will destroy all remnants of bourgeois culture which act to perpetuate, if even implicitly, their misery. This includes family organization, religion, morality, jurisprudence, etc. Culture is but the result of specific material/economic conditions and has no life independent of these. The result of this struggle will be "an association in which the free development of each is the condition for the development of all" (104).
    Chapter 3, "Socialist and Communist Literature," encompasses Marx's discussion of the relationship between his movement and previous or contemporaneous socialist movements. In this chapter he repudiates these other movements for not fully understanding the significance of the proletarian struggle. They all suffer from at least one of 3 problems: 1) They look to previous modes of social organization for a solution to present difficulties. 2) They deny the inherent class character of the existing conflict. 3) They do not recognize that violent revolution on the part of the proletariat is the only way to eradicate the conditions of oppression. Only the Marxist communists truly appreciate the historical movement in which the antagonism between the proletariat and bourgeois is the final act.
    The final chapter, "Position of the Communists in Relation to the Various Opposition Parties," announces the communist intention to "everywhere support every revolutionary movement against the existing social and political order of things" (120). The communist contribution to this ongoing revolutionary discourse will be the raising of the property question, for any revolutionary movement which does not address this question cannot successfully rescue people from oppression. As Marx thunders in conclusion, "Let the ruling classes tremble at a Communistic revolution. The proletarians have nothing to lose but their chains. They have a world to win. WORKING MEN OF ALL COUNTRIES, UNITE!" (121).

  10. #50
    حـــــرفـه ای Asalbanoo's Avatar
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    Jun 2006
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    پيش فرض Communist Manifesto

    The Communist Manifesto opens with the famous words "The history of all hitherto societies has been the history of class struggles," and proceeds in the next 41 pages to single-mindedly elaborate this proposition (79). In section 1, "Bourgeois and Proletarians," Marx delineates his vision of history, focusing on the development and eventual destruction of the bourgeoisie, the dominant class of his day. Before the bourgeoisie rose to prominence, society was organized according to a feudal order run by aristocratic landowners and corporate guilds. With the discovery of America and the subsequent expansion of economic markets, a new class arose, a manufacturing class, which took control of international and domestic trade by producing goods more efficiently than the closed guilds. With their growing economic powers, this class began to gain political power, destroying the vestiges of the old feudal society which sought to restrict their ambition. According to Marx, the French Revolution was the most decisive instance of this form of bourgeois self-determination. Indeed, Marx thought bourgeois control so pervasive that he claimed that "the executive of the modern State is but a committee for managing the common affairs of the whole bourgeoisie" (82).
    This bourgeois ascendancy has, though, created a new social class which labor in the new bourgeois industries. This class, the proletariat, "wage-laborers who, having no means of production of their own, are reduced to selling their labor power in order to live," are the necessary consequence of bourgeois modes of production (79). As bourgeois industries expand and increase their own capital, the ranks of the proletariat swell as other classes of society, artisans and small business owners, cannot compete with the bourgeois capitalists. Additionally, the development of bourgeois industries causes a proportional deterioration in the condition of the proletariat. This deterioration, which can be slowed but not stopped, creates within the proletariat a revolutionary element which will eventually destroy their bourgeois oppressors. As Marx says, "What the bourgeoisie, therefore, produces, above all, is its own grave-diggers. Its fall and the victory of the proletariat are equally inevitable" (94).
    In Chapter 2, "Proletariats and Communists," Marx elaborates the social changes communists hope to effect on behalf of the proletariat. Marx notes firstly that the interests of communists do not differ from the interests of the proletariat as a class; they seek only to develop a class consciousness in the proletariat, a necessary condition of eventual proletariat emancipation. The primary objective of communists and the revolutionary proletariat is the abolition of private property, for it is this that keeps them enslaved. Bourgeois economics, i.e., capitalism, requires that the owners of the means of production compensate workers only enough to ensure their mere physical subsistence and reproduction. In other words, the existence of bourgeois property, or capital as Marx calls it, relies on its radically unequal distribution. The only way the proletariat can free itself from bourgeois exploitation is to abolish capitalism. In achieving this goal, the proletariat will destroy all remnants of bourgeois culture which act to perpetuate, if even implicitly, their misery. This includes family organization, religion, morality, jurisprudence, etc. Culture is but the result of specific material/economic conditions and has no life independent of these. The result of this struggle will be "an association in which the free development of each is the condition for the development of all" (104).
    Chapter 3, "Socialist and Communist Literature," encompasses Marx's discussion of the relationship between his movement and previous or contemporaneous socialist movements. In this chapter he repudiates these other movements for not fully understanding the significance of the proletarian struggle. They all suffer from at least one of 3 problems: 1) They look to previous modes of social organization for a solution to present difficulties. 2) They deny the inherent class character of the existing conflict. 3) They do not recognize that violent revolution on the part of the proletariat is the only way to eradicate the conditions of oppression. Only the Marxist communists truly appreciate the historical movement in which the antagonism between the proletariat and bourgeois is the final act.
    The final chapter, "Position of the Communists in Relation to the Various Opposition Parties," announces the communist intention to "everywhere support every revolutionary movement against the existing social and political order of things" (120). The communist contribution to this ongoing revolutionary discourse will be the raising of the property question, for any revolutionary movement which does not address this question cannot successfully rescue people from oppression. As Marx thunders in conclusion, "Let the ruling classes tremble at a Communistic revolution. The proletarians have nothing to lose but their chains. They have a world to win. WORKING MEN OF ALL COUNTRIES, UNITE!" (121).

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