Born: 19 March 1955
Where: Idar-Oberstein, Germany
Awards: Won 1 Golden Globe
Height: 6'
In 2001, he swore blind that he'd never again appear in an all-action, explosions-a-go-go blockbuster, but Bruce Willis had a hard time escaping his reputation as that genre's most successful star. Indeed, since his first major cinematic hit, Die Hard, many of us cannot witness a fiery onscreen detonation without imagining Bruce - wide-eyed and panting in a grubby white vest - flying through the air, arms and legs flailing frantically. He's just too damn good at it. But, of course - being both a singing star, a restaurateur and an arch comedian - there's been far more to his career than that.
Bruce Willis was born Walter Bruce Willison on the 19th of March, 1955 in Idar-Oberstein, a German town near the border with Luxembourg. His dad, David, being a military man, was stationed there and his wife, Marlene, was from Kassel (they'd be divorced in 1971). On his discharge in 1957, David took his family back to Carney's Point, New Jersey, finding employment as a welder and a factory worker. Bruce, the oldest of four children (he has a sister, Flo, and two brothers, one of whom, David, is a movie producer), attended high school at Penn's Grove. A popular fellow, he was elected Student Council President and, strangely for a boy of such resolute blue-collar pride, threw himself into drama classes. This was perhaps because, tormented by a debilitating stutter, he discovered that he lost his impediment when onstage. He was also a talented wrestler - that scar on his shoulder now is actually the result of a serious sprain. Though a good student, he was suspended for three months in his senior year for taking part in what he later described as "the annual riot".
Upon leaving school, Bruce (nicknamed Bruno) was expected to attend college but, keen to live as a normal working-man, he instead took a job transporting work crews at the Du Pont factory in nearby Deepwaters. This continued until a fellow driver was killed on the job, and Bruce quit, later becoming a security guard at a nuclear plant under construction. Already keen on music, and kicking back in general, he hung out in bars and played harmonica in R&B band Loose Goose. Yet, despite his desire to be "regular", he discovered that he missed acting and enrolled at Montclair State College, where he leapt enthusiastically back into drama classes, causing something of a stir with his performance in Cat On A Hot Tin Roof. Eager to forge a career, he'd skip classes to attend auditions in New York City - eventually dropping out altogether and taking an apartment in Hell's Kitchen, much closer to the action. He would for some months share his lowly abode with another aspiring actor, Linda Fiorentino.
Still working to pay the bills, Bruce got himself a job tending bar at Café Central, a trendy media hang-out, and sought parts in plays, shows and ads. He made his off-Broadway debut in 1977 in Heaven And Earth and nabbed uncredited roles in The First Deadly Sin (where he also stood in for the killer in long-shots) and Sidney Lumet's excellent Prince Of The City and Paul Newman-starring The Verdict. Then it all began to happen. He was a hit onstage in Sam Shepard's Fool For Love and scored a sweet role as wife-beating gun-runner Tony Amato in the massive hit show Miami Vice. He also appeared in Hart To Hart and, dead cool in his natty shades, in the first TV ad for Levi 501 Blues plus, along with the then-unknown Sharon Stone, another ad for a Seagrams Wine Cooler.
But this was just a taster. Now real stardom arrived, though not in the way he expected. Flying off to LA, he auditioned for a part in Madonna's Desperately Seeking Susan, but was rejected. Being as he was in town, he checked out the other auditions taking place - one of which was for a new ABC show to be named Moonlighting. Willis found himself up against 3000 other hopefuls in the race to star alongside Cybill Shepherd as the smooth, wisecracking David Addison. And, being as that was him to a tee, he won over the producer, who cast him despite protests from ABC - the company preferring a name actor in the role.
Screened from 1985 to 1989, the show was an enormous success, with private eyes Addison and Shepherd's Maddie Hayes flirting, fighting and solving improbably complex crimes with great aplomb. On-set, the stars' relationship was far more fraught, their in-fighting becoming legendary and Willis picking up an unwanted reputation for "being difficult". But Bruce, ever ambitious despite his easy-going persona, was looking beyond the world of TV. He used his breaks from Moonlighting to star in two movies by Blake Edwards (famed Pink Panther director). First was Blind Date, with Kim Basinger, an excellent slapstick caper that was outrageously panned. Then came Sunset, the tale of two ageing cowboys solving a crime in Hollywood, where Willis played Tom Mix to James Garner's Wyatt Earp - it was another relative flop.
1987 saw everything turn around. For a start, Bruce met his future wife, Demi Moore, at the premiere of Stakeout, a cop comedy starring her then-boyfriend Emilio Estevez. He also became an international singing star, getting his funk out and crashing the charts with the hit LP, The Return Of Bruno, a collection of Motown-type material, including a cover of Respect Yourself. This would be followed by a second LP, If It Don't Kill You, It Just Makes You Stronger. The Bruno connection was continued with the comedy rockumentary, also titled Return Of Bruno, where Willis played the supposedly super-influential Bruno Radolini, paid onscreen homage by the likes of Elton John, Phil Collins and Gene Simmons.
Winning an Emmy and a Golden Globe for Moonlighting, it couldn't get much better for Bruce. Then it did. Directed by John McTiernan and filmed by Jan De Bont (who went on to direct Speed and Twister), Die Hard was a word-of-mouth smash that took everyone by surprise. As Detective John McClane, thwarting Alan Rickman in his villainous attempt to hijack a skyscraper, Willis redefined the role of the action hero. A slightly shabby smartarse, struggling in life and love, he was panicked, vulnerable and constantly on the edge of failure - yet somehow won through against impossible odds. Willis then hit big again, this time providing wise-ass put-downs for a new-born babe, in Look Who's Talking.
Now began a difficult period in Willis's career. Never content to sit comfortably in a single genre, he now played a traumatised Vietnam vet in Norman Jewison's In Country, and appeared in another mockumentary, this time the movie industry-based That's Adequate. More hits followed with the sequels to Die Hard and Look Who's Talking, but suddenly Willis's career became a rollercoaster of the genuinely sickening variety. Starring alongside Tom Hanks in Brian De Palma's adaptation of Tom Wolfe's Bonfire Of The Vanities, he was involved in one of the most expensive and critically reviled disasters in film history. Quickly he redeemed himself with Tony Scott's superior action flick The Last Boy Scout, but then it got even worse with Hudson Hawk. Based on a story by Willis himself (he also wrote the title song), it concerned a super-burglar taking on his last big job - "big job" being an apt description of the whole movie, according to crits and public alike. It went down like the proverbial lead zeppelin.
With all the stories of financial catastrophe flying around, it was understandable that most people missed out on the fact that the early Nineties also saw Willis deliver two of his finest performances. Alongside wife Demi in Alan Rudolph's excellent Mortal Thoughts, he was fantastic, and wholly out-of-character, as a mean-spirited bully. Then there was Billy Bathgate, a dodgy Mob movie starring Dustin Hoffman, wherein Willis shone as a slick rival gangster eventually consigned to the bottom of the river, concrete Hush Puppies and all.
No one seemed to notice. Bruce struggled on through the Meryl Streep comedy Death Becomes Her, the enjoyable but mostly ignored Striking Distance, a bit part in The Player, and an uncredited role in Loaded Weapon, but his career seemed to be fast spiralling downwards. Until the intervention of someone who most definitely had seen both Mortal Thoughts and Billy Bathgate - videohound Quentin Tarantino. Willis thought his part in Pulp Fiction would be tiny but it grew to spread throughout the movie. As boxer Butch Coolidge, he charmingly comforted lover Maria de Medeiros, heroically saved Ving Rhames from the Gimp and his rapist buddies, blew John Travolta to smithereens AND got away scot-free. It was a superb performance - Bruce was BACK.
And, being Bruce, he refused to make it easy on himself. He played a man in a pink bunny-suit in Rob Reiner's North, appeared alongside Newman again in the low-key Nobody's Fool, and went all arty in Four Rooms. He played a possibly lunatic time-traveller in Terry Gilliam's tremendous 12 Monkeys, and hit pay-dirt once more in Die Hard III. He seemed to have hit a plateau where he could do much as he liked, keeping his profile high with the occasional blockbuster and his involvement, along with Schwarzenegger and Stallone in the Planet Hollywood restaurant chain.
Then the wheels came off again, slowly this time. Walter Hill's Last Man Standing was a superior update of Kurosawa's Yojimbo with Willis suitably shady in the lead role, but it made no money. Next came a series of mediocre action flicks in The Jackal, The Siege and Mercury Rising, and the superficial, Gaultier-spoiled sci-fi oddity The Fifth Element. Willis's standing as a Hollywood big cheese and a guarantee of vast financial returns was in terrible danger. When Disney pulled the plug on his next project, Broadway Brawler, word was that Willis was finished. In fact, the only good press he got was for taking his clothes off on the David Letterman Show in order to publicise his wife's miserable Striptease.
Amazingly, this latest disaster proved to be the launch-pad to Bruce's greatest success yet. Stripped of his Broadway Brawler responsibilities, he took the lead in space-pic Armageddon, leading a motley band charged with saving us all from an onrushing meteor. It was a $200 million hit. It seemed the guy was charmed. Now taking the lead in a film that ought to have been a mere cult oddity carried by his name alone, Willis took a $20 million fee AND a hefty percentage. And, as supernatural thriller The Sixth Sense out-did even Armageddon, he found himself raking in upwards of $100 million, smashing Tom Hanks record for Forrest Gump.
It just got better and better. Having starred alongside Matthew Perry in The Whole Nine Yards, as a favour to his newfound buddy he appeared in Friends as Paul Stevens, the disapproving father of Ross Geller's (too-) young girlfriend. Handing his fee over to various charities, he walked off with another Emmy. Then came another massive screen hit, Unbreakable, once more with Sixth Sense director M. Night Shalamayan. Now Willis was bigger than ever, even becoming the first star to lend his face and body-movements to a videogame star, appearing as Trey Kincaide in the hit Apocalypse.
It wasn't all good news. With Demi Moore, Willis had had three daughters - Rumer, Scout Larue and Tallulah Belle - but his 12 year marriage, deemed by many to be the strongest in Tinseltown, ended in 2000 (Bruce would subsequently buy a house five miles north of the family home in Hailey, Idaho). He also lost his position as Seagrams spokesman after being caught for drunk driving. And then there was Planet Hollywood, which filed for bankrupcy reorganisation, closed numerous branches and submitted to a major restructuring. Stepping back into music, Bruce toured Europe in order to revive interest in the burger chain. Re-bitten by the boogie bug, he'd turn down a part in Ocean's Eleven in order to concentrate on a new LP, his part being taken by Andy Garcia. He'd also help set up a new label, the Uptop Music Corporation, dedicated to releasing acts by marginalised artists like Aaron Neville's son Ivan.
Attempting to spread his wings a little, Bruce followed Unbreakable with a string of more testing projects. First he returned to comedy, alongside Billy Bob Thornton and Cate Blanchett in the heist romp Bandits. Then came Hart's War, the first of consecutive big screen military dramas. Here Colin Farrell was assigned to defend a black officer accused of murdering a white racist in a POW camp during WW2. As senior officer Colonel William McNamara, Willis appears offensively uninterested - but then perhaps he has something equally heroic on the go.
After appearing in a filmed stage version of Sam Shepard's True West (writer of Bruce's stage breakthrough), recorded at the Liberty Theatre in Hailey, Idaho, where he was a small-time crook trying to ingratiate his way into the film business, came another war drama, Tears Of The Sun. Here he led a troop of Navy SEALS into a Nigerian war zone to rescue several US nationals. Doctor Monica Bellucci, however, refuses to leave without her patients so Bruce, after a surprising change of heart, decides to lead them all to safety through a particularly dangerous stretch of jungle. It was a tough role as much of the movie's true drama - the sacrificing of innocent lives, the disobeying of orders, the risking of his own men - had to be played out on Willis's own face. Once again, he proved himself more than able.
Returning to comedy, Bruce reprised his role as Jimmy The Tulip in a sequel to The Whole Nine Yards, this time rescuing the bumbling Matthew Perry from a gang of Hungarian kidnappers. 2005 would see a string of new releases (as well as a string of musical dates in Las Vegas). First would come Hostage, where he played an LA hostage negotiator who suffers a terrible professional experience and moves to less challenging climes. Unfortunately, he gets involved in another hostage crisis, one complicated by the fact that his own wife and kid have been simultaneously kidnapped, with a ransom demand that turns the original job into a nightmare. It was gloomy fare, but ingenious and, despite Willis's claims that he'd never return to action movies, it was action-packed. The film would also see the debut of Bruce's daughter, Rumer.
Also gloomy, but far more ingenious would be Robert Rodriguez's visually-stunning Sin City, based on the graphic novels of Frank Miller. This was set in a seedy, violent noir-world, where the stories of several tortured denizens collided. Bruce would play John Hartigan, a cop jailed for a crime he didn't commit, who discovers on his release that the girl he was protecting when first framed is now being menaced by an utter psycho. Joining him in a truly stellar cast would be Mickey Rourke, Clive Owen and Josh Hartnett.
Willis then moved on to Alpha Dog, written and directed by Nick Cassavetes and based on the real-life story of Jesse James Hollywood. He was a young drug dealer who, inspired by his vagabond father, managed to buy himself a $200,000 house at the age of 19 but then blew everything when he kidnapped and killed the 15-year-old brother of a client who owed him $1500, being then forced to go on the run. Alpha Dog, which would also feature pop star Justin Timberlake and Bruce's old Seagrams-advertising buddy Sharon Stone, would see Willis play the charismatic father, whose buccaneering attitude to crime saw his son go wrong. Filmed in late 2004, it would be close to release when Hollywood was finally caught after a 4-year search by the FBI, hiding out in Brazil. Oddly, just as he was being deported back to the States, his father would be busted on suspicion of drug possession.
Next up would come more noir with a role in Lucky Number Sleven, where Bruce's Sin City co-star Josh Hartnett became embroiled in a savage New York turf war between Jewish and Afro-American gangs led by Ben Kingsley and Morgan Freeman respectively. Then Willis would replace Jim Carrey as the voice of a con-artist racoon in the animation Over The Hedge, where forest animals attempted to resist the lure of encroaching suburbia. And, unarguably proving the foolishness of that "no more action movies" quote, there'd be Die Hard 4.0, written by hostage scribe Doug Richardson, who pictured John McClane, now retired, teaming with his daughter to battle terrorists in the Caribbean.
Having been paid $22.5 million for Hart's War, as well as huge sums for The Whole Ten Yards and Hostage, Bruce Willis remains right up there with Tom Cruise at the top of the A-list. Fair enough, considering his movies have taken far in excess of $2 billion at the box-office. Also, the publicity surrounding his private life has seldom been more frantic. Having dated Spanish model Maria Bravo Rosado, he'd also be connected to ---- star Alisha Klass, actress Estella Warren and Czech model Eva Jasanovska, on top of a series of scurrilous reports claiming he'd helped bring an end to Monica Bellucci's marriage. 2004 would see him end a 10-month relationship with actress Brooke Burns, a Baywatch babe 23 years his junior. Meanwhile, his ex-wife Demi Moore was doing her bit to keep Bruce in the tabloids, with Willis often turning up alongside Moore, their kids and Moore's toy-boy lover Ashton Kutcher.
Nearly 20 years of massive fame, and still going strong. Not bad at all for a stuttering van-driver called Walter.
Dominic Wills